23,860 Royalty-Free Audio Tracks for "Audio Files Of Classical Music By Arthur Nikisch"

Enrico Caruso (as Doctor Faust) and Marcel Journet (as Méphistophélès) perform "O merveille! ... A moi les plaisirs" from Charles Gounod's opera Faust (1859), in this 1910 Victor Recording. This is Matrix C-8555, recorded 16/1/1910 in New York, and released under a variety of labels. (http://victor.library.ucsb.edu/matrixDetail.php?id=200008638 full details).

Fantasy in c major op. 15, d.760 “Der Wanderer”, 3rd movement, presto.

Toccata from L'Orfeo, composed by Claudio Monteverdi in 1607. Performers: Bangkok Baroque Ensemble Trisdee na Patalung, harpsichord and direction Siripong Tiptan, violin Omphorn Kowintha, violin Ekachai Maskulrat, cello Lertkiat Chongjirajitra, trumpet (principal) Performed at the Shangri-La Hotel, Bangkok, Thailand on December 17, 2005 Aufnahme der "Toccata" aus der frühen Barockoper L’Orfeo von Claudio Monteverdi, aus dem Jahr 2005

Variation 4, Goldberg Variations

Variation 7, Goldberg Variations

Aria, Goldberg Variations

Português: A Sertaneja (1869), de autoria de Brasílio Itiberê (1846-1912).The Rhapsody A Sertaneja (1869) by the Brazilian composer Brasílio Itiberê (1846-1912).

Władysław Tarnowski ps. Ernest Buława „Sonate pour piano composéed et dediée à son ami Br. Zawadzki”, V. Kratochwill, Wiedeń, maj 1874. Obdarowanym dedykacją był jego przyjaciel Bronisław Zawadzkiego wydawca i redaktor różnych pism literackich, w których ukazywały się drukiem utwory Władysława Tarnowskiego. Część 7 i ostatnia sonaty: „Scherzo Finale” Ta cześć z mottem: „Au diable tout! (Berlioz Memoires.)” Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 15:48, 29 March 2018 (UTC)), marzec 2018. Z podziękowaniem dla Österreichische Nationalbibliothek za udostępnienie mi partytury.

Historically significant 1911 recording by duo Arthur Collins and Byron G. Harlan of "Alexander's Ragtime Band" (1911), originally composed by Irving Berlin. Recorded for Victor Records (#16908-B), this particular comedic duet of the song became a smash hit due to its farcical emphasis.

Reverie' song for piano and voice words by Albert G. Dawes; music by Alexander Rea Marked 'Entered at Stationers Hall' (historic Australian censor & patent office)

The galop from the operetta Geneviève de Brabant by Jacques Offenbach, transcribed by John R. Bourgeois, and played by the United States Marine Band under Bourgeois's direction. This piece is an instrumental version of the "Gendarmes' Duet", and formed the basis of the "Marines' Hymn".

Henryk Wieniawski's Violin Concerto No. 2 in D minor, Op. 22, III. Allegro con fuoco performed by the United States Marine Band on Jan. 5, 2014, at George Mason University's Center for the Arts Concert Hall. Col Michael J. Colburn, conducting. SSgt Karen Johnson, soloist.

The President's Own United States Marine Chamber Orchestra performs Max Bruch's Kol Nidrei, Op. 47 on March 3, 2013 at the Rachel M. Schlesinger Concert Hall and Arts Center in Alexandria, Va.

God So Loved the World from Stainer's oratorio The Crucifixion

Dufay - Missa cantus firmus, derived from Se la face ay pale.

Nederlands: Gabriel Fauré (1845-1924): Après un Rêve, op. 7. Van Mutopia, publiek domein. De oorspronkelijke compositie is van Gabriel Fauré, die al meer dan 70 jaar overleden is, en het voor 1880 geschreven heeft. Voorzover er auteursrechten rusten op de bewerking tot midifile, heeft de auteursrechtenhouder het zelf in het PD geplaatst, zie de link op de bestandspagina en [1]

Berlioz Symphonie Fantastique finale, bars 1-4

Mussorgsky Gnomus original bars 19-24

Dufay, "Mon chier amy"

07Haydn NelsonMass-Credo EtRe

01Haydn NelsonMass-Kyrie

Example of atonal music which avoids octaves, avoids major and minor triads, avoids more than three notes from the same diatonic scale, and avoids conjunct melodies/uses disjunct melodies. From Schoenberg's Klavierstucke, Op. 11, No. 1.

Recording of music written by Frederic Chopin

Purcell Fantazia upon One Note

Recording of music written by Frederic Chopin

Scarlatti Keyboard Sonata K119 bars 143-168

Schumann-Fantasie In C Major Opus 17- Movement 3- Lento

Song by Ustad Qasim Jo.

Haydn Quartet Op.76 No. 6, finale bars 119-132

Schumann- Fantasie In C Major Opus 17-Movement 2- Maestoso Sempre Con Energia

Haydn, Symphony 97, third movement, bars 109-116

Liszt- Funerailles

Mendelssohn String Quartet 2, 3rd movement (Intermezzo)

Liszt- Mephisto Waltz

Haydn, Symphony 94, second movement bars 150-156

Schubert A major sonata D959 closing bars of first movement

Liszt; piano concerto No. 1, I. Allegro Maestoso

Schubert Piano Sonata D960 second movement, bars 98-106

Satie Gymnopedie No. 3 for piano solo

Robert Schumann; Liederkreis, Mondnacht, by Elisabeth Schumann

08Haydn NelsonMass-Sanctus

Recording of music written by Frederic Chopin

Haydn from C minor Sonata finale

IMSLP247104-PMLP27022-String Quartet No. 6 in F minor, Op. 80 - II. Allegro assai

Mendelssohn; piano concerto no 1 in G minor 1. Molto allegro con fuoco

Hector Berlioz - Symphonie fantastique, op. 14 - 1. Rêveries – Passions (Igor Markevitch, Orchestre Lamoureux, 1962)

Recording of music written by Frederic Chopin

Schubert C major Quintet ending

Mendelssohn op. 72,5a